EIGHTEEN ARMS

 

The weapons used by Kung Fu masters originate mainly from ancient military weapons. The Eighteen Arms, the term used to describe Kung Fu Weaponry includes the Sabre, spear, sword, halbert, axe, battle axe, hook, fork, whip, mace, hammer, talon, trident-halberd, cudgel, long-handled spear, short cudgel, stick and meteor hammer. Some weapons are used to fight at a distance, while others at close range. Some are overt where as others are covert. Some are hard while others are soft. Their functions are wide ranging-they beat, kill, hit, shoot and block with cutting blades, hooks, points or pricks. The assortment of Kung Fu weapons has added to the colourful programs of martial arts, and proficiency in Kung Fu involves being skilled in the techniques and usage of the Eighteen-Arms. A brief introduction to the weapons and their individual characteristics follows.

 

FOUR MAJOR WEAPONS

 

The four major weapons - sabre, spear, sword and cudgel - have been widely used by Kung Fu masters since ancient times in different styles of martial arts. They are also the main weapons in current Kung Fu competitions.    

(1) Sword

The sword is called the "gentleman of all weapons". It is the most widely used of all weapons and its influence goes beyond the field of Kung Fu. Every school of Kung Fu uses the sword as the basic weapon for rigorous training. Sword play in China was first seen in sacrificial offerings to gods or ancestors. In the Spring and Autumn Period and during the Warring States 2.000 years ago, sword play became a common practice in society. It is now one of the major competitive events in Kung Fu competition today. Sword play is brisk, agile, elegant, easy, graceful and natural in action. The movements are flexible, as well as variable. Attention is paid to both motion and stillness. Hardness and suppleness supplement each other. So sword play is likened to the "flying phoenix". There are many techniques in sword play. The main techniques include hitting, piercing, pointing, lifting, jumping and leaping, hanging, chopping, floating, poking, sweeping, wrestling, blocking, and wiping. These actions, combined with body movements and footsteps, form various routines of sword play. There are varied styles of sword play routines, handed down from ancient times. The popular ones include Taiji, Wudang, Bodhi-dharma, Longxing, Sancai, Qingping, Baxian (Eight-Immortals), Mantis, Lianhuan, Drunkard and Xingyi. The Chinese Physical Culture and Sports Commission has also worked out new routines for competition
and physical exercises. It is said that the Chinese sword play, although a simple form of play with hand weapons,
has deep ideological connotations. From emperors, high-ranking military officers and ministers to common people,
experts and scholars, the wearing of swords shows them to be a refined person signifying they are cultured and
familiar with the arts. The skill and theory of sword play was perfected and

eventually formed the distinctive "Sword Culture" in China.

(2) Sabre
Sabre is called the marshal of all weapons. It is one pf the most used weapons in Chinese Kung Fu. According to the shape and size, it is divides into short-hilted sabre, twin short-hilted sabre, sabre, nine-ring sabre ( named as nine rings on the handle ), broad sword, long-bladed short-hilted sabre and others.
Sabre play is vigorous and quick in defence and offence so it is likened to the "fierce tiger". The main techniques of sabre play include chopping, hacking, cutting, pricking, lifting, poking, winding, blocking, pushing and knocking. When you have sabre practice, the cooperation between the sabre and the hands is very important and both hands must closely coordinate with each other, so as to maintain balance. Sabre play calls for rigorous training and constant practice. The sabre and the body must also be consistent. "Make sure that sabre is always around your body, and your hands, feet, shoulders, and arms turn together with the sabre". The main routines of sabre play include Panlong (coil dragon), Bagua (eight-diagrams), Qinglong (green dragon), Miao Sabre, Nine-Ring sabre, Liuhe (6 combination), Shaolin Twin sabres, Taiji, Yexing (night travel), Meihua (plum blossom), Drunkard sabre and monkey sabre. In addition, the combination of sabre with other weapons forms many more routines. For example, the play with sabre in one hand and staff in another is

called "sabre play with staff", a favourite exercise for Kung Fu enthusiasts. Sabre play demonstrates hardness

and powerfulness, but not always. In defence and dodging actions, suppleness is needed.

(3) Spear
The spear is called the king of all weapons. It is one of the major long-shaft Kung Fu weapons. There are different types of spear, such as carefully designed and delicately made "flowery spear", thick and bold spear, zigzag spear with a sharp point and blade, double-head spear with blades on both sides. The spear was the major military weapon in ancient times and compact technique was developed. The main characteristics of spear play are flexibility in body movements, lightness and agility in footwork, quickness and steadiness in turns and somersaults. The movements are clear and the tricks are practical. Spear play is likened to the "flying dragon". Spear play is very difficult, but it has a great effect on strengthening the physique.
The basic techniques of spear play include pricking, thrusting, circling, blocking, pointing, poking, holding and wringing. When you practise, you are advised to hold the spear firmly and flexibly, advance and retreat freely and smoothly, pricking the opponent quickly and directly, with the force on the point of the spear. This is one of the important basic skills in spear play. When you hold the spear, it must be close to your waist for support so that you can exert your force easily. In all routines of spear play, the point of the spear moves in a circle, which is regarded as the fundamental of all styles of spear play and requires hard practice. The main routines

include Bagua (eight-diagram), Luihe (6 combination), Double-head, Yueya (crescent), Meihua (plum blossom),

Shewei (snake-tail), Yang family, Siping and Big spear play as well.

(4) Cudgel
The cudgel is called the "father of all weapons" meaning all other weapons were developed from it.
As the cudgel is easy to make and use, and is practical, it has become a very popular weapon.
Cudgel play lays stress on a sweeping action so the saying goes "with a cudgel you sweep all around". Some tricks employed for other weapons (such as spear and sabre) can also be used in cudgel play. there are many methods of playing the cudgel. Among the most commonly used are chopping, swinging, jabbing, hanging, jumping, leaping, smashing, pointing, blocking, sheltering, holding, piercing, floating, carrying, poking and lifting. The different schools of cudgel play have different emphasis. Cudgel is played as quickly as heavy rainfall and cudgel play combines offence with defence, always changing the ways of play. The main routines include Qimei, Shaolin, Panlong (coiled dragon), Jiuzhou (9 continent), Luihe (6 combination), Tianqi, Bhodi-dharma, Monkey and Drunkard. Cudgels are mostly made of wood but some are made of metal. In addition to long cudgels, there are two-section cudgel and three-section cudgel.

SIX SHAOLIN BOXING STYLES

 

Shaolin boxing styles are very divers and complex. There are hundreds of different boxing styles, too many for one person to master in his life. These days in modern Martial Arts we see that the student will practise general basics and then will devote himself to one boxing and weapon style. We have chosen the following boxing styles which many people find astonishing and will give detailed information about them.

 

 

Zui Quan ( Drunkard Boxing )

Luohan Quan ( Arhat Boxing )

Tanglang Quan ( Mantis Boxing )

Yingzhao Quan ( Eagle Claw Boxing )

Tantui ( Leg Flicking Boxing )

Xingyi Quan (Form and Meaning Boxing)

 

 

Zui Quan ( Drunkard Boxing ) [top]

In Zui Quan or the drunkard boxing, boxers falter, waddle, fall and sway just like drunkards.
Zui Quan can be used for both fighting and maintaining health. However, the drunkard boxers go out of their way to stress the combative side of their style. They blend a series of movements, actions and skills o f the martial arts and try to confuse their opponents with special skills which often lead them to surprise triumphs.

Execution of the drunkard boxing demands extreme flexibility of the joints as well as suppleness, dexterity, power and coordination all of which can be developed in the course of practice.The main feature of the drunkard boxing is to hide combative hits in drunkard-like, unsteady moveme nts and actions so s to confuse the opponent. The secret of this style of boxing is maintaining a clear mind while giving a drunken appearance.

Drunkard boxers are required to be responsive with good eyesight and fist plays. They move in unconnected steps but with a flexible body combining hardness and suppleness. They have to be fast to get the better of their opponents but their main tactic is to feign defence while trying to attack and aiming in one direction but attacking in another. Various degrees of drunkenness are demonstrated by different ranges of movements and expressions in the eye.

 

 

Luohan Quan ( Arhat Boxing ) [top]
Luohan Quan or the Arhat boxing originated from the Shaolin-style boxing. It has been called the 18-hand tricks of Arhat, which consisted of 18 combating skills and techniques. Along with its 24 movements in advancing and retreating, the Arhat boxing uses six routines of fist plays, two routines of palm plays, one routine of elbow play, four routines of holding and strangle holding, each of which has its own practical value and health-building effect.

The original Luohan Quan was called the 18-form Arhat boxing which was improved and developed through years of practice. It later became the 27-form small Arhat boxing, the 54-form big Arhat boxing and the 108-form Arhat boxing. While practising, Arhat boxers can be as soft as willow twigs, as agile as a smart monkey jumping over a mountain gully, as mighty as a lion, and as powerful as a dragon stirring the sea. According to the practice proverbs of the Arhat boxing, the head of the Arhat boxer is like a wave; hands are like meteorites; the body like a willow twig; footwork is like that of a drunkard; blows are triggered by the mind and power is generated throughout the body. It should be difficult to tell whether the hits are substantial or empty. Free application of the Arhat boxing skills can be achieved through years of practice and exercise.

Luohan Quan was created by monks in the Shaolin Temple from watching and imitating the different forms and expression of the different Arhat statues in the temple, and through meditation. They added to these movements the skills of combat. There are quite a few Arhat boxing masters among the generations of Shaolin monks. The best in the contemporary period was Maestro Miao Xing. Maestro Miao Xing had been called "Gold Arhat". He was a native of Dengfeng in Henan Province and knew the combat skills as well as being fond of literal arts, especially Buddhism. He used to work on his farmland, and chanted Buddhist scriptures and practised martial arts after work. Later he travelled throughout the country and met with many Wushu masters. In this way he mastered the martial arts of different styles of boxing. Several years later, Miao Xing shaved his head to become a monk of the Shaolin Temple but he continued to practise his martial art in his spare-time delving into the skills of combat.

Once he was seen practising his martial art by the abbot of the temple who praised him and taught him the Shaolin style of boxing and cudgel plays. The abbot also taught Miao Xing the Arhat boxing, acupressure touching, joint dislocating, holding and strangle holding, breathing exercises and other Shaolin-style martial arts.

Whenever challengers of the Shaolin martial arts came, the abbot would appoint Miao Xing to meet them and Miao was always the winner, thus earning the respect from among other monks. Eventually Miao was promoted to be the supervisor of the temple and was asked to teach the martial arts to other monks. After the death of the abbot, Miao Xing succeeded him and also served as the chief of the Shaolin martial arts masters. He had some 5.000 monk disciples and 200 laymen disciples. In 1939, Maestro Miao Xing passed away at he age of 58.

The characteristics of the Arhat boxing are plain and simple. It combines simplicity with the beauty of the expressions of the Arhats. It hides its combative skills and blows in the Arhat-like actions. Movements are smoothly comfortable and fully spread out with clear cut rhythms and the cooperation and coordination of attack and defence are rational. After practising for a long time, the Arhat boxing can strengthen the physique, tone up the body, give one self-defence skills and cure diseases.

 

 

Tanlang Quan ( Mantis Boxing ) [top]

Tanglang Quan or the mantis boxing is also an animal-imitating style of fist play. It copies the form and actions of a mantis adding the attack and defence skills of the martial arts. This unique style of boxing boasts an assortment of routines which generally fall into the northern and southern styles.

The northern-style mantis boxing is said to have been created by Wang Lang of Jimo County in Shandong Province at the turn of the Ming and Qing dynasties. Legend has it that Wang was fond of martial arts and went to study Wushu at the Shaolin Temple in Henan Province. After the temple was burnt down by the imperial army, Wang Lang returned to Jimo where, because of his shorter stature, he was beaten again and again by his senior fellow apprentice.

Wang resolved to practise hard for three years but, much to his dismay he lost the duel again. One day in the forest, he saw a mantis wielding its forelegs while fighting a big cicada in a tree. Before long, the mantis killed the cicada. Wang found that the mantis had a good rhythm in attack and defence and controlled its catch and release well. It fought both from distance and close-up with hard and soft blows characteristic of martial combats. He captured a number of mantis and took them home. Watching them closely while they fought, Wang Lang compiled a mantis boxing by adding the essentials of the Shaolin boxing to the actions of the mantis, even including the expression of the mantis. There are two other propositions about the origin of the mantis boxing. One holds that Wang Lang created it while fighting the long-style boxers of the school created by the first emperor of the Song dynasty; the other believes that between his fights with back-through boxer Han Tong, Wang saw a mantis capture a cicada and fight a snake and so created the mantis boxing.

The mantis boxing has many routines and branches. The major five schools are as follows:

(1) Seven-star mantis boxing, which is also called Arhat mantis, features seven-star steps, hard-hitting, and vigorous movements. It tends more towards hardness than suppleness and its stances are comfortably spread and extended. The basics of this school include waist technique, leg technique, shoulder technique as well as standing skills and hitting skills.

(2) Plum blossom mantis boxing, also called taiji plum blossom mantis boxing, uses small steps and its movements are continuous deft and smart, like blossoming plums. It is almost an exact copy of the mantis. This style of boxing demands clear-cut rhythms in unleashing the tricks and emphasizes a smooth, deft and supple generation of power. It uses more sideway than straightforward force.

(3) Six-combination mantis boxing, also known as monkey mantis boxing, stresses the inner and outer, three combinations which make six combinations. It uses mind to guide the movements of the body and pays equal attention to both the mental and physical. It uses hidden, rather than obvious hardness and resorts more to inner forces.

(4) Hand-wringing mantis boxing is also called plum blossom hand-wringing mantis boxing. It comes from the plum blossom mantis boxing but because it uses hand wringing tricks in its routines, it came to be called hand-wringing mantis boxing. When delivering blows, the hands are in the shape of palm; when retreating, they are in the form of hooks.

(5) Twin mantis boxing. This style of boxing also comes from the plum blossom mantis boxing. Its movements have a delicate symmetry and thus it is called twin mantis boxing.

The mantis boxing features force, power, dexterity, speed, a combination of hardness and suppleness, of substantial and insubstantial tricks end blows and of attack and defence. It necessitates a good command of catch and release and a variation of action. Mantis boxers will attack if provoked; they will not attack if untouched by opponents; they deliver fist blows in quick succession when offended. These characteristics of the mantis boxing are well known among Chinese martial artists.
A common featured of various styles of the mantis boxing is that their actions are accurate and performed in earnest. Mantis boxers move lightly, yet powerfully and their attacks are very strong with tricks that are delicately connected. The mantis boxing stresses eyesight, hand play, footwork and body movements as well as speed, agility, steadiness and careful choice of moves. Its power generation is strong but not stiff, supple but not soft, quick but not unconnected nor out of rhythm. The mantis boxing boasts of many skills and techniques and can beat its opponent with unpredictable changes of tricks and combinations of hardness and suppleness

 

 

Yingzhao Quan ( Eagle Claw Boxing ) [top]
Yingzhao Quan or the eagle claw boxing is a traditional animal-imitating style of fist play that incorporates the movements, tricks and methods of the eagle. It is a mixture of the Yue-style boxing and the school of tumbling boxing. It is also called Yingzhao Fanzi Quan ( eagle claw tumbling boxing ). Because boxers form their hands into the shape of an eagle's claw, their style came to be called Yingzhao Quan. The traditional routines of the eagle claw boxing are said to have been created by Song Dynasty General Yue Fei. Li Quan, a monk of the Ming Dynasty, mastered the essentials of the Yue-style boxing before combining the eagle claw and tumble boxing to form eagle claw tumbling boxing. Li taught the style to Monk Fa Cheng who later passed it on to Liu Shijun of Xiongxian County in Hebei Province.

Liu Shijun, born in a poor family, used to sell flue cured tobacco for a living but he was deeply fond of martial arts. One day, when out selling tobacco till late, he stayed at a small inn. As he practised his martial arts by himself, Monk Fa Cheng who happened to be staying at the same inn, was woken up by the sounds of Liu's movements and actions. After he completed his exercises, the monk told Liu that his routines were good for maintaining health but not for fighting enemies. Liu, annoyed by the monk's remarks, asked Fa Cheng to fight with him. The two fought a practice bout. Eager to win, Liu unleashed three attacks in a row but all were easily warded off by the monk. As he launched his fourth attack Monk Fa Cheng used the eagle claw trick to catch Liu's wrist. Although he tried all he could, Liu could not shake off the monk's hand. Fa Cheng then touched an acupressure point on Liu's back and Liu felt sourness and numbness spread throughout his body and fell to the ground. Realizing the monk was excellent at martial arts, Liu begged the monk to teach him. He followed Fa Cheng and learnt the eagle claw boxing and its secrets. Three years later Liu left his master to travel alone and spent the rest of his life studying the art of fist plays and teaching youngster. Liu Shijun served as martial arts instructor at the barracks of imperial guards in Bejing during the Qing Dynasty and taught the eagle claw boxing to Liu Dekuan, Ji San, Ji Si and nephew Liu Chengyou. Liu Chengyou passed it on to his sister's grandson Chen Zizheng who went to teach the art in northeast China, Shanghai and Guangzhou. The eagle claw boxing features simple but powerful moves. When moving, the boxer attacks relentless and looks formidable, but when standing still, he looks like an eagle awaiting the chance to pounce on rabbits. The northern-style eagle claw boxing features comfortably spared movements which are aesthetically pleasing while the southern-style features delicate but spectacular acrobatic tricks.

There are many branches of eagle claw fist play which imitates all the movements of an eagle, the eagle boxing which stresses both the claw, and the flapping and fanning of wings, and the rock eagle boxing which imitates the eagle flying up and down a rock cliff. The eagle claw boxing is spectacular with boxers jumping high one minute and walking in a low position like an eagle diving into the woods for prey the next. Sometimes they run as fast as a shooting arrow while at others they stand steadily like an age-old pine tree. They demonstrate to the full, the bravery and flexibility of an eagle.

 

 

Tantui ( Leg Flicking Boxing ) [top]

Tanntui or leg flicking boxing is also called pond legs. It has 10 routines and was therefore called 10-routine pond legs. When Shaolin monks added two more routines, it became the 12-routine pond legs. As many Moslems in China practise the boxing, it is also called religious leg flicking boxing. Tantui concentrates on feet plays with fist plays as support. Its movements are not complicated but complete and executed flawlessly. A symmetry is maintained by placing the feet one by one taking wide steps while keeping the body in a crouched position.

 

 

Xingyi Quan (Form and Meaning Boxing) [top]

Xingyi Quan or the form and meaning boxing is also called Xinyi Quan (free-mind boxing), Xinyi Liuhe Quan (free-mind six-combination boxing) or Liuhe quan (six-combination boxing). There are two propositions about the name of this school of boxing. One holds that the body actions and movements should be guided by mind and that this school of boxing is an identity of mind and body; the other proposition states that this school of exercises are mere imitations of animal actions and movements and adopted the form and meaning of animal movements.

According to historical records, the creator of Xingyi Quan was Ji Jike (1602-1683) from Village Zuncun in Yongji County in Shanxi Province. A resident of the late Ming Dynasty and early Qing Dynasty, Ji Jike was also known as Ji Longfeng. On his trip south to the Shaolin Temple and Luoyang in Henan Province and Qiupu in Anhui Province, Ji Jike passed his art on to Zeng Jiwu. During the reign of Emperor Qianlong of the Qing Dynasty, Xingyi Quan was spread in Henan, Hebei and Shanxi provinces. Ma Xueli, a Luoyang resident in Henan, Dai Longbang, a resident of Qixian in Shanxi, and Li Luoneng, Dai's disciple from Hebei, all contributed to the dissemination and development of the boxing.

Over centuries, this school of boxing is now practised in different styles. The Shanxi style is compact, delicate and yet forceful while the Henan style is powerful, vigorous and substantial. The Hebei style stresses steadiness, sturdiness and comfort. As regards routines of fist fight, a similarity is seen between the Shanxi style and the Hebei style, both using three postures of the body, five major movements of axing, bursting, penetrating, hurling and traversing and imitations of 12 animal forms (dragon, tiger, monkey, horse, turtle, chicken, hawk, swallow, snake, owl, eagle and bear). The Henan style mainly imitates 10 animal forms (dragon, tiger, chicken, eagle, snake, horse, cat, monkey, hawk and swallow).

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Amazing Verbal Kung-Fu

If you've seen a lot of kung-fu movies, you know what this is about. Use it for a silly game of Feng Shui, Hong Kong Action Theater, Dragonfist, or Exalted. Or consider it review material for playing Jared Sorenson's Happy-Lucky Chinese Restaurant Game. Whatever! Enjoy.

Update: Splendid Shaolin Master, Skyfox (Carl Cramér), has organized a co-operative game to write these moves up as fu schticks for Feng Shui. I must bow to this superior effort. My part was relatively easy!

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Updated: Fri Mar 12 08:31:01 CST 2010

 

standing grasshopper fist

shining zodiac hand

yellow emperor's gecko kung-fu

amazing rabbit knee

flying foo-dog flip

iron panda hand

impressive chopstick style

mighty spider armor

flying rat leap

supernatural animal push

ten hummingbird advance

leaping ghost technique

golden river armor

ten taoist essence

glorious phoenix power

innocent hawk jab

devastating scarecrow pounce

innocent fox-woman armor

naughty wizard penetration

ancient hawk style

venerable wizard penetration

monkey king's jade kung-fu

fiendish rabbit style

terrible dragon elbow

transcendent dream dance

fragrant panda onslaught

naughty mist frenzy

super wind maneuver

burning snake kung-fu

illusory flash pose

mad acupuncture cut

invincible ancestor punch

dreaded chopstick defense

fierce paradise feint

evil butterfly justice

thundering mist strike

murderous taoist sword

no monkey defense

fortunate sun style

happy orchid technique

ruinous scorpion fist

iron lotus dance

fortunate mantis technique

leaping eunuch boxing

burning plum-blossom chop

stunning ram style

naughty chopstick protection

burning zodiac thrust

evil ram bow

sacred serpent vengeance

explosive scholar style

invisible secret arrow

lethal rabbit attack

resplendent qi kung-fu

blood of the plum-blossom lunge

monkey king's chopstick antagonism

drunken sky wrestling

mongolian buddha boxing

shining qi nerve pinch

whooping fox-woman fright

venerable foo-dog protection

midnight jade attack

heavenly scorpion protection

celestial spider seizure

ten cat fright

emasculating mustard-seed claw

whooping lotus twist

dreaded river hand

magnificent storm advance

enlightened plum-blossom neck-snap

venerable ancestor kung-fu

seven scarecrow tackle

flying spider contact

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vicious taoist block

savage taoist spirit

impossible spider vengeance

invisible ox technique

vicious wizard technique

two turtle seizure

mystic phoenix hammer

imperial jade sword

insane patriarch seizure

running fox-woman flip

illusory monkey wall

savage tiger crush

super sky rebuke

double ram spirit

mystic shaolin somersault

three scorpion maneuver

fiendish serpent maneuver

dipping star antagonism

happy chopstick antagonism

super immortal feet

mad wizard spear

kiss of the fox-woman fan

standing river maneuver

fiendish rabbit push

no cricket ambush

lucky patriarch blow

masculine phoenix fan

mighty terror crush

blood of the rat cut

amazing lotus slice

whirling butterfly nerve pinch

screaming moon breath

mongolian spider lunge

sign of the scorpion fan

invincible sun bow

resplendent scorpion rebuke

jumping patriarch scare

innocent acupuncture armor

kiss of the monk antagonism

transcendent gecko crush

10,000 hawk fan

dreaded scorpion block

judicious butterfly hands

savage mustard-seed feint

drunken eagle defiance

valorous rooster lunge

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mongolian virgin hands

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sacred sky power

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unfathomable monk scare

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thundering flash cut

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mongolian plum-blossom touch

mystic chopstick leap

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emasculating plum-blossom slam

fragrant death ambush

enlightened panda wall

judicious shadow neck-snap

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blood of the animal pose

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deceptive sun antagonism

iron dream slash

whooping star assault

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accurate grasshopper fury

ancient hummingbird bite

burning eagle smash

mystic hawk fury

midnight sky tackle

devastating ancestor push

barbaric patriarch stance

evil hell attack

poetic mantis vengeance

excellent bamboo punch

10,000 dream rebuke

fortunate mist fan

yellow emperor's gecko cut

super mustard-seed bow

resplendent grasshopper scratch

iron wolf bow

standing scorpion seizure

deceptive foo-dog fright

celestial secret fan

impossible gecko seizure

shining mist touch

splendid butterfly charge

chuan chunling style

evil shaolin slap

savage lotus pose

lethal scholar palm

innocent buddha palm

fire of the gecko arrow

abominable secret knife

lethal hummingbird style

venerable rat wheel

flying spider slap

laughing orchid fan

lucky rooster push

devastating immortal wall

pious plum-blossom elbow

blind virgin armor

invincible spider neck-snap

amazing mantis blow

shining secret cut

mongolian ox elbow

unfathomable wind onslaught

sound of the foo-dog hammer

mighty plum-blossom pounce

iron hawk blow

mystic serpent kung-fu

double death arrow

monkey king's sun bow

sacred turtle rebuke

accurate ancestor shield

whirling rooster feet

devastating buddha neck-snap

accurate hell justice

ancient demon wheel

amazing animal stance

supernatural shaolin wrestling

naughty jade tackle

amazing animal breath

impossible ghost knife

blood of the foo-dog lunge

honorable immortal arrow

imperial sky slice

glorious mist punch

ruinous monster energy

sound of the hell power

uncomfortable shaolin hand

strange demon block

midnight immortal kung-fu

laughing grasshopper smash

abominable mist style

transcendent butterfly shield

mystic fairy thrust

two grasshopper stance

sound of the wizard shield

honorable shadow slap

excellent wizard style

strange hummingbird tackle

screaming sun leap

stunning lightning frenzy

ten moon elbow

ruinous vampire push

glorious orchid heel

midnight willow attack

running phoenix scare

ten buddha contact

midnight dream throw

two tiger defiance

three dream palm

whooping shaolin tackle

two moon frenzy

mongolian willow jab

explosive shadow twist

iron mantis onslaught

evil plum-blossom defiance

sign of the ghost antagonism

celestial hell style

two scarecrow attack

peaceful eagle nerve pinch

deceptive plum-blossom fist

insane monkey neck-snap

naughty animal breath

fierce ram breath

drunken grasshopper blow

burning foo-dog strike

invincible sage somersault

double monster style

jumping sky spirit

flying demon slice

honorable gecko hammer

thundering bamboo rebuke

fortunate hummingbird penetration

sacred ancestor kung-fu

fragrant scarecrow chop

three tiger technique

vulgar vampire wheel

happy snake pose

emasculating monster slash

jumping spider hammer

mad sage protection

kiss of the jade push

thundering ancestor spirit

heavenly dream hammer

fiendish ghost forehead

vicious paradise protection

lucky ancestor vengeance

sound of the scorpion scratch

inverted cat bite

excellent wizard protection

mad mist fright

venerable acupuncture knee

glorious moon style

whirling mantis kick

drunken terror lunge

amazing shadow crush

imperial goldfish pose

invisible shadow smash

invisible rat nerve pinch

laughing chopstick heel

fang of the dream justice

masculine chopstick spin

deceptive buddha feint

uncomfortable lotus lunge

illusory buddha wheel

uncomfortable phoenix block

vicious snake smash

whooping ram push

peaceful demon hands

destructive shadow energy

ancient ancestor technique

wicked wizard knife

glorious shaolin slice

naughty star technique

fiendish killer penetration

ancient acupuncture bite

stunning fox-woman elbow

magnificent monkey neck-snap

innocent lightning pose

standing ancestor arrow

stunning lightning cut

barbaric taoist feint

yellow emperor's mantis spin

vicious sky feint

yellow emperor's animal attack

strange sage rebuke

two lotus fright

wicked scorpion antagonism

two sage energy

resplendent immortal hand

evil shadow smash

sound of the panda fan

ancient goldfish style

evil turtle pounce

burning lotus knife

golden crane bow

golden mantis sword

jumping cat wall

burning animal crush

masculine ancestor leap

insane demon bite

terrible crane touch

flying zodiac attack

drunken monster breath

kiss of the ram style

savage scholar chop

dipping panda cut

stunning wind crush

lucky tiger shield

resplendent wizard slam

destructive ancestor fury

poetic killer protection

screaming sun maneuver

yellow emperor's foo-dog thrust

destructive foo-dog heel

shaolin ox kung-fu

resplendent acupuncture spirit

no wind defense

lethal paradise seizure

naughty monkey claw

sacred orchid block

honorable mantis vengeance

mad storm scare

dreaded flash attack

accurate hawk strike

mongolian terror spear

10,000 peony-blossom maneuver

resplendent scholar spin

invisible hummingbird chop

invincible rabbit knife

whirling monk throw

splendid dream wheel

shaolin butterfly twist

blind sun kick

golden rabbit breath

mystic foo-dog style

excellent wizard wrestling

kiss of the sky attack

peaceful lotus fright

whirling grasshopper hammer

fierce panda pose

savage hummingbird protection

sign of the willow feet

poetic crane hand

invincible storm neck-snap

inverted monster kung-fu

valorous dream maneuver

resplendent turtle technique

unfathomable rooster vengeance

jumping river neck-snap

ancient virgin jab

amazing ram dance

emasculating snake energy

drunken hawk pounce

amazing star palm

evil cat hands

poetic immortal leap

lethal serpent dance

devastating ghost strike

stunning acupuncture breath

double scorpion essence

no shaolin spear

kiss of the willow breath

accurate scholar justice

fragrant monk flip

no taoist scratch

ten death wall

explosive monster forehead

fire of the orchid bow

wicked qi attack

barbaric moon attack

magnificent ancestor push

dancing jade stance

murderous killer antagonism

abominable taoist push

mad lightning vengeance

barbaric hummingbird knife

whooping mustard-seed fright

iron gecko fright

leaping paradise hand

two sun arrow

ten immortal power

peaceful paradise armor

heavenly wind blow

honorable vampire crush

no serpent rebuke

roaring scholar advance

fire of the star leap

ancient qi ambush

venerable crane lunge

fierce taoist heel

naughty wind breath

thundering hummingbird defiance

shaolin wind slap

ruinous storm fist

10,000 orchid fan

super virgin charge

fiendish monk claw

magnificent qi block

leaping hell push

transcendent grasshopper touch

murderous hell assault

poetic monkey lunge

monkey king's plum-blossom hands

roaring animal kung-fu

magnificent shaolin style

heavenly immortal kick

roaring shadow antagonism

amazing ram crush

unfathomable rooster punch

evil eagle spear

kiss of the panda fright

impossible goldfish spirit

illusory butterfly slam

seven rat palm

iron ram assault

heavenly bamboo onslaught

wicked panda boxing

transcendent paradise vengeance

honorable monster claw

fragrant hawk penetration

whooping bamboo hands

naughty monkey armor

flying immortal slice

dreaded foo-dog hands

ten grasshopper stance

mongolian terror technique

deceptive killer defiance

yellow emperor's shaolin technique

screaming shadow pounce

dipping hawk slash

splendid lotus somersault

running plum-blossom strike

laughing dream pounce

fire of the patriarch elbow

vulgar star maneuver

fiendish eagle twist

enlightened cat leap

magnificent storm contact

terrible terror antagonism

10,000 monster neck-snap

devastating wind strike

double rooster advance

illusory demon feint

sacred spider wheel

peaceful ancestor attack

flying phoenix vengeance

fortunate qi onslaught

devastating lightning thrust

dancing spider pose

thundering killer charge

spinning foo-dog boxing

strange cricket feint

dancing crane tackle

seven goldfish neck-snap

splendid rabbit contact

dreaded monkey strike

invincible butterfly style

blind peony-blossom attack

midnight terror crush

invincible paradise fury

poetic sun defiance

resplendent sun forehead

valorous acupuncture knife

invincible patriarch kung-fu

sacred eagle bow

enlightened hummingbird tackle

sacred wolf wrestling

amazing scarecrow smash

whirling sun thrust

ruinous jade hammer

happy lightning neck-snap